No Anger «Quasimodo aux miroirs»
In «Quasimodo aux miroirs» the examination of the legacy of cultural body images is condensed into a choreographic reflection on identity, queer desire and crip representation. The starting point is the character of Quasimodo - embodied in the Disney animated film and in the musical Notre Dame de Paris - which, as one of the few popular representations of a disabled body, shaped the childhood of No Anger (artist and researcher).
Quasimodo serves here as the starting point for a multi-layered investigation: how do our deeply rooted, culturally moulded body images influence our perception of real bodies? NoAnger's performance dissects the normative expectations of the body and tracesthe path of a (re)appropriation of one's own body: from the ambivalent identification with Quasimodo, the fear of embodying him, to the conscious detachment and the invention of new narratives of disabled bodies.
Access
- Open Audio Description in French
- German translation
- Sign Language in LSF, LIS and DSGS
- Relaxed Performance
- Wheelchair Accessible
- Duration: 67 Minuten
Quasimodo serves here as the starting point for a multi-layered investigation: how do our deeply rooted, culturally moulded body images influence our perception of real bodies?
NoAnger's performance dissects the normative expectations of the body and tracesthe path of a (re)appropriation of one's own body: from the ambivalent identification with Quasimodo, the fear of embodying him, to the conscious detachment and the invention of new narratives of disabled bodies. Mirrors become a means of deconstruction - they break the voyeuristic gaze, fragment, distort and question the logic of the "monstrous". Language, movement and video collage scraps of memory, projections and resistance. «Quasimodo aux miroirs» is a choreographic study of the tension between external attribution and self-design - and of how a crip-bodymind can free itself from these attributions and reclaim its own narrative.
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