
Photo: Hiromi Gut
Hiromi Gut, * 1986 in Tokyo, grew up in Zurich. After completing a bachelor's degree in business administration at the University of St. Gallen and a bachelor's degree in opera singing at the HEMU de Lausanne, she sang at the Lotte Lehmann Opera Academy before becoming assistant to the artistic director. In 2015, Hiromi Gut worked as interim managing director of the 30th Davos Festival - young artists in concert and then took over as assistant to the artistic director at the Konzerthaus Berlin until 2017 - the year in which she founded guerillaclassics. As artistic director, she focuses on the history of music, its genres, spaces, contexts and the questioning of the traditional or classical. She enriches these concepts with collaborative experiences and creations that draw on the concerns and practices of contemporary musicians.

Photo: Mario Zakall
Mara Maria Möritz sings, performs, directs and writes. During her international career in concert, music theatre and dramaturgy, the young soprano has been a guest at the Salzburg Festival, the Nuremberg State Theatre, the Concertgebouw Amsterdam and the Montfort Zwischentöne. She has worked with Klangforum Wien, the Nuremberg Symphony Orchestra, G.F. Haas, Beat Furrer, Sylvain Cambreling and many others. Her most recent awards include the Ton & Erklärung competition, the International HUGO Prize for Concert Dramaturgy and the Sempach Tuchlaubenkonzerte singing competition. With her wide-ranging training in singing, music mediation, cultural management and journalism, she also devotes herself to designing artistic concepts and cultural communication at various events and in the public service media in addition to her stage work.
Project
Mara Maria Möritz and Hiromi Gut began the mentorship with a reflection on Mara's previous artistic work and developed further paths that were guided by questions about her identities. Hiromi now accompanies Mara in a reflective and impulse-giving function in the conceptual and compositional process of the following creation:
"la clef" is a one-hour musical work based on Benjamin Britten's "Les Illuminations" and Michael Ende's "Momo". Together with cellist and composer Kiara Konstantinou, cellist and composer Gabriel Vergelin Soler and the Aventurin Quartet, Mara Maria Möritz develops a musical narrative that explores the phenomena of time and listening.
Mara and her colleagues process Britten's work with electronic spoken word soundscapes and improvisations as well as their own compositions, which exhaust the fusion of languages and sounds to the point of fragmentation.